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Tag Archives: Michael Billington
Jumping through the hoop: Benedict Cumberbatch’s Hamlet
By the time this post goes live, the latest production of Hamlet to be staged in London will have received its first two performances. I’m writing of course about Benedict Cumberbatch’s Hamlet at the Barbican Theatre. It was to be … Continue reading
Posted in Shakespeare on Stage
Tagged Barbican, Benedict Cumberbatch, Hamlet, Lynsey Turner, Michael Billington
1 Comment
Much Ado About Shakespeare at Easter
For Easter, a round-up of some of the many current Shakespeare-related events. First of all, on Easter Sunday BBC Radio 3 is celebrating Shakespeare’s imminent 450th birthday with two programmes. At 6.45pm, in Shakespeare: For and Against, playwright Mark Ravenhill … Continue reading
Posted in Legacy
Tagged Alex Kingston, animation, Antony and Cleopatra, First Folio, Guildhall, Kenneth Branagh, lego, Mark Ravenhill, Michael Billington, Rory Kinnear, Shakespeare versus Shatner
Comments Off on Much Ado About Shakespeare at Easter
Brian Cox’s Titus Andronicus: “the greatest stage performance I’ve ever given”
Earlier in the week an interview with Brian Cox (the actor not the scientist) was published in which he commented that the production of Titus Andronicus in the Swan Theatre in 1987 was “the most interesting thing I’ve ever done … Continue reading
Round the globe with Much Ado About Nothing
What are we learning from the World Shakespeare Festival? A few weeks ago Sonia Massai headed a panel entitled Global Shakespeares. In her subsequent post on the RSC’s MyShakespeare site she says “‘Global Shakespeares’ can only be understood in relation … Continue reading
Posted in Plays and Poems, Shakespeare on Stage
Tagged Donald Sinden, Global Shakespeares, Indian, Iqbal Khan, John Barton, Judi Dench, Meera Syal, Michael Billington, Much Ado About Nothing, Paul Bhattarcharjee, Royal Shakespeare Company, Sonia Massai, World Shakespeare Festival
Comments Off on Round the globe with Much Ado About Nothing
Taming Petruchio
In his latest blog post, Stanley Wells has picked up on Michael Billington’s tweet about The Taming of the Shrew. Was he right, the critic asked, to suggest some thirty years ago that this play should be banned? How time … Continue reading
Performance history and the critic: Michael Billington’s point of view
A week or so ago Michael Billington of the Guardian, the UK’s most respected theatre critic, and now on twitter @billicritic, wrote a piece about his job. He talked about the challenges of writing a piece that takes into account … Continue reading