Author Archives: Sylvia Morris

Ian Richardson and Richard II’s ring

On Friday morning BBC Radio 4’s Today programme included a feature about theatre history relating to David Tennant’s current role as Richard II. On the press night Tennant received a package from Ian Richardson’s widow Maroussia Frank containing the ring … Continue reading

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Visualising Shakespeare’s London

Most of the London that Shakespeare knew disappeared in the Great Fire of London in 1666. As the city was rebuilt the original street pattern was re-established, and today we still find places with medieval names: Cheapside, Newgate, Bishopsgate and … Continue reading

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Shakespeare’s crows and hateful ravens

When Shakespeare wanted to conjure up a sense of foreboding he often used the image of the birds of the crow family: crows, magpies, ravens and rooks. Lady Macbeth chillingly predicts the King’s murder: The raven himself is hoarse That … Continue reading

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“Far more fair than black”: Cleopatra, Othello and blacks in Renaissance England

The Royal Shakespeare Company’s new production of Antony and Cleopatra will, for the first time in its history, feature a black actress, Joaquina Kalukango, as Cleopatra. It’s a co-production between the RSC, the Public Theatre, New York and Gablestage, Miami, … Continue reading

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Elizabeth 1 and her people in portrait and performance

The new exhibition at the National Portrait Gallery, Elizabeth I and her people, puts on display a glorious collection of portraits of Elizabethans, supported by objects, manuscripts and books that provide some background to the world in which these people … Continue reading

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Richard II at the RSC

The RSC’s Richard II is onstage at last, and I’ve got to one of the performances. I’ve seen quite a few past productions of the play onstage, some extremely memorable. Like Hamlet, it’s often judged by its central performance, but … Continue reading

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Elizabeth 1 and her people

Our fascination with the Elizabethan and Jacobean periods shows no sign of abating.  Lives of the monarch and courtiers have always been recorded but in recent years it’s apparent that there is much evidence for the lives of ordinary citizens … Continue reading

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Shakespeare and the National Theatre

On 15 October it was announced that Rufus Norris was to be appointed to the most important job in UK theatre, as Artistic Director of the National Theatre, taking over in April 2015. Then next week, on 22nd October the … Continue reading

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Screening Shakespeare: to adapt or not to adapt?

Last week, the Stratford Shakespeare Club’s monthly lecture was given by Daniel Rosenthal, the author of  Shakespeare on Screen and the BFI Screen Guide 100 Shakespeare Films. In her foreword to the latter book the director of Titus, Julie Taymor, claims that “Shakespeare is … Continue reading

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An obscure grave: did Shakespeare write the memorial verses at Tong?

A couple of years ago I wrote a piece about the two epitaphs inscribed at the ends of  a tomb in the church in the village of Tong, Shropshire. I was intrigued by them, and by the tradition that the … Continue reading

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