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Author Archives: Sylvia Morris
Peter Brook: from enfant terrible to grand old man of the theatre
Nobody has been more influential in the world of the theatre in the last 70 years than Peter Brook. And at the age of 88, he’s still involved, setting out his ideas about why theatre is so important. Shakespeare has … Continue reading
Posted in Plays and Poems, Shakespeare on Stage
Tagged A Midsummer Night's Dream, Antony and Cleopatra, Hamlet, John Gielgud, Love's Labour's Lost, Marat-Sade, Measure for Measure, Peter Brook, Romeo and Juliet, The Tempest, Theatre of Cruelty
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Encouraging the sense of wonder: Educating with Shakespeare
Funding and the arts is a subject that never drops off the agenda completely, but since Arts Minister Maria Miller’s speech about funding, indicating that the arts needed to think more about profit, arts organisations and their supporters have been … Continue reading
Posted in Legacy
Tagged Arts Council England, culture, education, Kelly Hunter, Shakespeare, Teaching Shakespeare
Comments Off on Encouraging the sense of wonder: Educating with Shakespeare
Looking at Leontes: The Winter’s Tale in stitches at the RSC
Last week I wrote about the three costumes for Prospero in The Tempest which form part of the RSC’s exhibition of historic costumes, Into the Wild. Just opposite them stand three quite different costumes, for the character Leontes in The … Continue reading
Posted in Plays and Poems, Shakespeare on Stage, Stratford-upon-Avon
Tagged Antony Sher, costume, Greg Hicks, Into the Wild, Jeremy Irons, The Winter's Tale
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Sir William Davenant and adapting Shakespeare, Restoration-style
In April the Painted Room in what used to be the Crown Tavern, at 3, Cornmarket, Oxford was temporarily re-opened. It’s remarkable that this room has survived, but even more astonishing is the coincidence that it is thought that Shakespeare … Continue reading
Posted in Legacy, Shakespeare on Stage
Tagged adaptation, Macbeth, Oxford, painted room, restoration, William Davenant
2 Comments
Shakespeare, the BAFTAs, and screening theatre
On Sunday May 12 the award ceremony for the UK’s TV industry, the BAFTAs, is being held. Shakespeare interest is focused on The Hollow Crown, the four-part mini-series which screened during the summer of 2012. The series isn’t badly represented: Ben … Continue reading
Prospero’s Costumes on Display: In Stitches with the RSC
The RSC’s Costume Exhibition Into the Wild features three costumes for different Prosperos in The Tempest. It’s the play in which the designer can let his imagination run riot as he or she attempts to create a suitable setting for … Continue reading
Posted in Shakespeare on Stage
Tagged costume, Derek Jacobi, Into the Wild, Loudon Sainthill, Maria Bjornson, Patrick Stewart, Ralph Richardson, The Tempest
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The Royal Shakespeare Company in Stitches: celebrating costume
Three cheers for the RSC’s latest linked exhibitions, In Stitches, A celebration of RSC Costume. The first, Into the Wild, highlights the twentieth-century Shakespeare costume through thirty-five examples drawn from the RSC Collection, while Costume Craft illustrates the processes by … Continue reading
Posted in Shakespeare on Stage, Stratford-upon-Avon
Tagged costume, Costume Craft, In Stitches, Into the Wild, James Bailey, Royal Shakespeare Company, theatre
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The first of May in Stratford-upon-Avon
As today is both the first of May and a quite beautiful spring day I thought I’d share with you some photos I took on early this morning to Shakespeare’s church and the River Avon with views towards the Royal Shakespeare Theatre. Shakespeare … Continue reading
Posted in Legacy, Stratford-upon-Avon
Tagged Holy Trinity Church, May, Royal Shakespeare Theatre, spring
1 Comment
Shakespeare and the case for subsidy
I’ve only been away for a few days, but on return have found many Shakespeare-related stories to catch up on. There have been two major press nights, Othello at the National Theatre, As You Like It at the RSC. These … Continue reading
Posted in Legacy, Shakespeare on Stage
Tagged As You Like it, Henry V, Julius Caesar, Les Miserables, Maria Miller, Marianne Elliot, Matilda, National Theatre, New York, Nicholas Hytner, Olivier Awards, Othello, subsidy, The Curious Incident of the Dog in the Night-Time
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John Gilbert Cooper and the Bard of Avon
A couple of weeks ago David Frankel from the University of South Florida put an enquiry onto the Shakespeare noticeboard site SHAKSPER asking if anyone knew when the term “Bard of Avon” was first applied to Shakespeare. I replied with … Continue reading
Posted in Legacy
Tagged Bard of Avon, editions, Garrick, Hanmer, John Gilbert Cooper, Pope, SHAKSPER, Theobald, Thurgarten, Warburton
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